In an interview with Howard Stern, Harry described "Daylight" as a "stream of consciousness" song about being infatuated with someone. Now, nothing will ever be, as Harry sings, "the same as it was." “Daylight” When speaking with Zane Lowe, Harry called the track "really devastating" and shared that it's "about a kind of metamorphosis and a perspective change" that you don't know fully understand is happening until it's too late. While its upbeat synths, chimes and soft vocals paint a picture of a feel-good moment, its lyrics are some of the darkest on the record. The first single from Harry's House, "As It Was," is deceptively sweet ear candy. "There's just no getting through / Without you / A bottle of rouge / Just me and you." "I pay for it more than I did back then," Harry shares about his growing headache. Its constantly pounding bassline is juxtaposed with Harry's breathy, distant vocals as he laments a love lost over a few bottles of wine. "Grapejuice" is about a physical and emotional hangover. Whether that requires staying up all night talking or traveling from "Hollywood to Bishopsgate," no feat seems too large as Harry sings, "Now you're in my life / I can't get you off my mind." “Grapejuice” His feelings only go stronger throughout the evening as he adds, "It's cause I love you babe / in every kind of way / Just a little taste." “Late Night Talking”įirst unveiled during his headlining performance at Coachella in April, "Late Night Talking" is a glittering, disco fever dream that encapsulates the fluttery feeling of being completely infatuated with someone and wanting to spend every waking moment with them. "Green eyes / Fried Rice / I could cook an egg on you," Harry sings. Blending soft jazz with funky, ‘70s soul, Harry's feel-good album opener "Music For A Sushi Restaurant" is an eclectic, imaginative take on a date at its titular locale.
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